[Ernest Flatt choreographing "It's a Bird...It's a Plane...It's Superman".]
Drawn for the New Yorker.
[Choreographer Gillian Lynne at a rehearsal for "Pickwick".]
[Rehearsal for "Pickwick".]
[Rehearsal for "The Phantom of the Opera".]
[Choreographer Marvin Gordon, writer Jerome Weidman, composer Duke Ellington and director Richard Altman at a rehearsal for "Pousse-Café".]
Altman was replaced by José Quintero before the show reached Broadway.
[Valerie Bettis in "Inside U.S.A.".]
[Lillian Shapero performing to "Song of Greeting".]
[Lillian Shapero performing to the poem "Good Morning Revolution" by Langston Hughes.]
[Lillian Shapero in the concert "Israeli Songs".]
[Lillian Shapero in "Enigma".]
[Lillian Shapero in "Crisis".]
[Lillian Shapero in "Frenzy".]
[Belle Didjah with unidentified writers in Czernowitz.]
[Billy Wilson with unidentified man.]
[Rehearsal for "Pleasures and Palaces".]
The show closed before reaching Broadway.
[Bob Fosse staging a musical number for "How to Succeed in Business Without Really Trying".]
[Bob Fosse staging the "Coffee Break" number in "How to Succeed in Business Without Really Trying".]
Bennett did the musical staging for "Company".
[Rehearsal for "Alice".]
"Alice" closed during its pre-Broadway tryout at the Forrest Theatre in Philadelphia. The show was reworked...
[Assistant Evelyn Russell with director and choreographer of "Lorelei", Joe Layton.]
Agnes De Mille.
Carmen de Lavallade.
Janet Collins in a Mozart Rondo.
Photograph of a pencil drawing of Alicia Markova by Richard Banks.
Photographs of male and female dancers onstage and in a studio while three female choreographers observe...
Agnes De Mille, Annabelle Lynn and Lucia Chase