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Back to the Old Days.

Back to the Old Days.

The Old Gang's Back.

The Old Gang's Back.

In a Brooklyn Back Yard.

In a Brooklyn Back Yard.

"Who Says We Can't Turn the Clock Back?"

"Who Says We Can't Turn the Clock Back?"

"Please Use the Back Door."

"Please Use the Back Door."

Taking Back the Robe She Gave.

Taking Back the Robe She Gave.

The Appeal to Reason.

The Appeal to Reason.

It's Up to the Magistrates.

It's Up to the Magistrates.

"Take Her Back to the Garage, Joe. I'm Using the Subway."

"Take Her Back to the Garage, Joe. I'm Using the Subway."

The Timid Soul. (With a Bow to Webster.)

The Timid Soul. (With a Bow to Webster.)

Back Again.

Back Again.

Trying to Soak the Boss.

Trying to Soak the Boss.

Here's Hoping to a Smash Hit.

Here's Hoping to a Smash Hit.

Speeding on to the Finish.

Speeding on to the Finish.

True to Form.

True to Form.

The Stage Set.

The Stage Set.

The Interborough Glee Club.

The Interborough Glee Club.

The Playboys of Albany.

The Playboys of Albany.

Caught in the Spotlight.

Caught in the Spotlight.

Dug out of the Sand.

Dug out of the Sand.

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Back to the Pond.

Creator Rollin Kirby (1875-1952)
Accession number 43.366.533 
Unique identifier M3Y6861 
Dated 1938 
Medium graphite pencil, illustration board
File dimensions 21.0 in × 16.8 in at 300dpi
53.3 cm × 42.8 cm at 300dpi 
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